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CATALOGO ON LINE
MICROCLIMATE
FUGATRICE MALTE
LASER PER RESTAURO
DISINFESTAZIONE ANOSSICA
ARCHIVIAZIONE SOTTOVUOTO
TRASPORTO OPERE D'ARTE
TAVOLA CALDO ASPIRANTE
CARTE E CARTONI KLUG
SISTEMI DI AGGANCIO QUADRI
FESSURIMETRI
TELAI E SUPPORTI
COLORI PER RITOCCO
ASPIRATORI PER SOLVENTI
ASPIRAPOLVERI MUSEALI
ANTITARLO XIREIN
MICROSCOPI
SUPPORTI PER QUADRI
MONITORAGGIO AMBIENTALE
CONDIZIONAMENTO
LASER ScanArm
LIBRI E PUBBLICAZIONI
MUSEOTECNICA
CONSERVAZIONE
STRUMENTAZIONE ANALISI
SISTEMA PORTA QUADRI
ARTGAS-SORBŪ Assorbitore gas
KIT STONELUX PROFESSIONAL
WI-FI DATALOGGERS
DATALOGGER USB TEMPERATURA/UR% LCD
RIFLETTOSCOPIA IR
LINEA KAMI

RETOUCHING COLOURS


| LASER PER RESTAURO | LIBRI E PUBBLICAZIONI | DISINFESTAZIONE ANOSSICA | TRASPORTO OPERE D'ARTE | TAVOLA CALDO ASPIRANTE | RIFLETTOSCOPIA IR | CARTE E CARTONI KLUG | CONDIZIONAMENTO | ARCHIVIAZIONE SOTTOVUOTO | SISTEMI DI AGGANCIO QUADRI | FESSURIMETRI | TELAI E SUPPORTI | COLORI PER RITOCCO | ASPIRATORI PER SOLVENTI | ASPIRAPOLVERI MUSEALI | ANTITARLO XIREIN | MICROSCOPI | SUPPORTI PER QUADRI | FUGATRICE MALTE | MICROCLIMATE | LASER ScanArm | LASER FOR RESTORATION | LINEA KAMI | INJECTIONS MORTARS SYSTEM | MUSEOTECNICA | CONSERVAZIONE | KIT STONELUX PROFESSIONAL | STRUMENTAZIONE ANALISI | ARTWORKS TRANSPORT | KLUG PAPERS AND BOARDS | VACUUM ARCHIVAL SYSTEMS | WI-FI DATALOGGERS | ANALYSIS EQUIPMENTS | Crack gauge-tests | MUSEUM LINE | MICROCLIMATE | RETOUCHING COLOURS | CHASSIS FOR PAINTINGS - FRESCOES PANELS | BOOKS AND PUBLICATIONS | SISTEMA PORTA QUADRI | ARTGAS-SORBŪ Assorbitore gas | DATALOGGER USB TEMPERATURA/UR% LCD | Multispectral Imaging System

RESTAURARTE RETOUCHING COULORS
These colors express are studied for the restoration of the artworks. The range of colors is born in order to satisfy the more demanding professionals of the field. The retouching colors RestaurArte are produced with purest pigments fine milled, for which beyond to having an elevated yield, they are a lot covering. Which binder is employed a Ketonic resin solution in mineral turpentine essence and ragia. The choice for this type of binder is determined by various factors, between which:
1) optimal reversibility, as this resin is easy soluble in many dissolvents, some of which little injurious for the user; this its easy solubility affords also to prepare godets of dry color, that they can be then reactivated easy, simply diluting them with the bathed dissolvent paint-brush.
2) highest UV resistance of the ketonic resin, while the resin mastic after little years stretches to yellow. For this its characteristic, the ketonic resin enters in the formulation of many varnishes is from alteration that final. Besides this the chetonic resin possesses a almost null acid value.
3) good storage stability , moreover is guaranteed the availability and the quality of supplying.
4) last but not less important the lowest price of the ketonic resin regarding the resin mastic, that represent an economic saving for the restorer.
The assortment of the RestaurArte colors for RestaurArte is composed by 30 inks, subdivided in 4 groups (16 of group 1; 7 of group 2 and 5 of group 3 and 2 of the group 4), manifactured in tubes from 35 mililiter.
cod color Group
01 titanium White 1
02 zinc White 1
03 cadmium Yellow lemon 3
04 medium cadmium Yellow 3
05 Yellow of Naples 2
06 yellow Ocher 1
07 clear Ocher 1
08 gilded Ocher 1
09 natural Sienna 1
10 Varnish of garanza 2
11 Red of Red medium cadmium 3
12 Cadmium orange 3
13 Earth of Pozzuoli 1
14 burnt Sienna 1
15 green Varnish 2
16 Green chromium oxide 2
17 cobalt Blueta 4
18 Blueta overseas 2
19 Tawny ceruleo Blueta 4
20 of transparent garanza 2
21 Tawny 1
22 Tawny Van Dyck 1
23 Earth of Kassel 1
24 Earth shadow burnt 1
25 Earth natural shadow 1
26 Bitumen of Giudea 1
27 Black Mars Ivory 1
28 Black 1
29 Varnish of Emerald 2
30 Alizarina 3

See >online catalog> Colours > Restoration colours

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